Click here for
Click Here!






Need help searching?



Home




Best Prices
Advertiser Info
Current Issue
Past Issues
Staff & Contributors




Photo Labs
Photo Books
HelpLine
Glossary




Best Prices
Advertiser Info
Links
Shopper




Subscriptions
Back Issues
Account Inquiry
Submissions
Contact Us




About Us
Outdoor Photographer
Plane & Pilot
Golf Tips


 
Where Do You Purchase Your Digital Photo Products?
 
In Person from:
Photo Specialty Dealer
Consumer Electronics Dealer
Mass Merchandiser
 
Mailorder catalog from:
Photo Specialty Dealer
Consumer Electronics Dealer
Mass Merchandiser
 
Online from:
Photo Specialty Dealer
Consumer Electronics Dealer
Mass Merchandiser



Poll Results
  "Counter" Intelligence  
     
 

Know What To Ask At The Camera Store’s Counter And Make An Informed Purchase

By Wes Pitts

 
     
  With digital photography, there’s always something new. New sensors, controls, lenses and high-tech features are continually being announced and added to the latest gear. This is both a blessing and a curse to us as photographers, who want the best equipment, but have trouble keeping up with the pace of innovation. Too often, camera salespeople have an equally difficult time getting their minds around the enormous wealth of features and specs of the many cameras they offer.  
     
   
     
 

I was recently browsing a major electronics retailer and, for fun, decided to quiz the digital camera salesperson about one of the models on display. I have a mischievous streak and like to pretend that I know nothing about digital cameras to see how much misinformation I can attract. The salesperson on this occasion was a very nice gentleman who intended well, but was fantastically uninformed about the products he was selling.

When he resorted to reading the store’s display and reciting the camera’s features to me, which I easily could have read for myself, I knew that I wasn’t going to get the insight I was after. Asked what other models might compare to the 5-megapixel camera I was looking at, he “informed” me that they’re all pretty much the same.

And, indeed, he was right! They’re all pretty much the same, if by “the same” you mean that they’re all cameras and come in an attractive cardboard box. Unfortunately, this is how many retailers look at cameras, as if they’re merely packaged goods with no real difference between them—just like bars of soap.

Traditional camera retailers will typically do a much better job of understanding the equipment than a big electronics chain, but you’ll still want to understand the basics to make the best purchase for your money. Even the best camera stores may have an incentive to sell you one product over another, which puts the sale in their best interest and not necessarily in yours. Knowing what you want before you head to the store, at least in terms of technology and features, will make your buying experience far more successful, with fewer regrets down the road.

Size
How big (or small) should your camera be? Here’s an easy one to figure out on your own, but no less deserving of serious consideration. If you’re buying a camera primarily for vacation or special occasion photography, a small camera that you can drop in your pocket is ideal.
There are a number of very tiny cameras available that can be easily stowed in a pocket, yet still offer a decent set of controls and adequate resolution for most purposes. Bear in mind that you’ll pay a premium for the ultra-compact models, and that there will be some sacrifice in terms of zoom range.

Even those digital cameras that aren’t considered ultra-compact are still relatively small. Most digital cameras today will fit nicely in a fanny pack or a coat pocket. If you don’t need the smallest possible camera, you’ll have the most options in terms of features, lenses and resolution.
On the big end of the spectrum are digital SLRs—both those with fixed lenses and those that allow the use of an interchangeable-lens system. While bulky and not best suited for casual photography, these cameras deliver top resolution and high-performance features. They also tend to have bigger control interfaces, so if you have large hands and find yourself fumbling with the controls of small cameras, one of these models might be better for you.

 
     
 
COUNTER-POINTS
• If you want a small camera, ask to see a few of the smallest and compare their features and prices.

• Handle a variety of cameras of various sizes to find one that’s comfortable for you to use.
 
     
     
  Resolution
If digital camera marketing was a Hollywood blockbuster, resolution would be the fussy star who’s perhaps a bit overrated, but draws big crowds and so gets top billing. Much ado is made about resolution, and to be sure, it’s an important feature, but shouldn’t be over-weighted in your decision. Let me explain.

For the first few years of digital cameras, resolution was the determining factor of image quality. Resolution was so low that it didn’t matter very much if the camera’s lens was high-quality glass or cheap plastic; if the camera’s color processing was right on or slightly off; or if the signal-to-noise ratio of the sensor was ideal.

Now that digital cameras are sporting multi-megapixel resolution, those other factors that affect image quality are gaining more importance. Today, you want a digital camera that not only has big resolution, but high-quality optics, noise-reduction technologies, adjustable ISOs and white-balance controls as well to ensure that you get the best image quality possible.
 
     
 
COUNTER-POINTS
• Get a camera with enough resolution for the print sizes you’ll want to make.

• Resolution is important, but so are other camera features—don’t buy something based on resolution alone.
 
     
     
  The LCD
What’s the biggest plus of digital photography? I’d say it’s the LCD and all of its attending benefits. Reviewing your photos as you shoot is arguably the greatest thing to happen for photographers since autofocus. However, not all LCDs are created equal. Some are big while others are relatively small. Some are stationary and others swivel, rotate and flip to give you a clear view even when the camera is pointed up, down or sideways. Some are easy to view in bright sunlight, and others require you to be in an indoor environment or in shade to view clearly. One of the most notable breakthroughs in LCDs has been accomplished by Kyocera with their L3v and L4v cameras. They’ve addressed the two common complaints about LCDs (size and viewing in bright sun) with the DayFine 2.5-inch screen, virtually the “big screen” of digital camera LCDs. The advantages of a large screen for composing and viewing pictures are obvious, but menus are more readable as well.

It’s best to compare LCDs in person, not just from specs. View them in the store and, if possible, outside as well to see how easy they are to view in varying conditions. Checking out the LCD in person also gives you the opportunity to evaluate the “readability” of the menus.

The swiveling, rotating and flipping LCD designs are really terrific and a feature you’ll get used to quickly. Even if your typical style of photography doesn’t require acrobatics and extreme postures, you’ll still find the ability to reposition the LCD quite valuable, as it also helps to alleviate the difficulties you may encounter viewing the LCD outdoors by changing the angle to reduce glare on the screen surface.
 
     
 
COUNTER-POINTS
• When it comes to LCDs, bigger is better. Ask to see a variety of models and compare.

• Flip-out LCDs greatly enhance your ability to see the image clearly in a variety of shooting situations.
 
     
     
  The Lens
Before light reaches your high-res image sensor, it passes through and is focused by the lens. Obvious, right? Few parts of the camera are as important as the lens in determining not only image quality, but your experience using the camera as well.

The first thing to consider is zoom range.
Excluding interchangeable-lens digital SLRs, most digital cameras have a 3x optical zoom. This is plenty of range for most everyday photo opportunities. However, because you can’t change lenses, you may find yourself limited by this range in certain situations when you can’t get as close to your subject as you’d like. A few models offer bigger zoom ranges—up to 10x. While you might not use the full range often, it’s nice to have that extra telephoto performance when you need it.

Choosing a camera with a big zoom range does limit your options, as there are only a handful of such models on the market. If you find that you shoot a lot of telephoto images, though, you’ll definitely want to look at these models.

If you opt for a camera with a smaller range zoom, you may be able to use accessory lenses to increase that range. Not all cameras support accessory lenses, so be sure to find out if the models you’re considering do.

If the camera has the ability to accept a photographic filter, there are probably accessory lenses that will work with it, even if the manufacturer doesn’t make accessory lenses designed specifically for it. For the best-quality results, you’ll probably want to stick with accessory lenses made for the camera, when possible.

While we’re on the subject of lens quality, let’s talk a little about the camera’s built-in lens. Most digital cameras offer excellent-quality lenses. Traditional camera manufacturers that have made lenses for decades can be depended on to put quality glass in their cameras. Consumer electronics brands that have entered the digital camera market often use glass made by respected lens manufacturers in an effort to assure you that you’re not compromising with their products. Overall, most digital camera lenses are indeed very good.

Trying to compare lens quality in digital cameras is tough. Certainly, a brand’s reputation for quality optics was earned by doing something right, and such a brand isn’t likely to jeopardize that reputation by putting shoddy glass in its cameras.

You also can look for lenses that sport such technical specs as “aspherical,” “LD” (low dispersion) or “ED” (extra-low dispersion) lens elements. Without going into detail here, these are lens technologies that greatly reduce image aberrations and improve color fidelity. They’re generally marks of quality optics.
 
     
 
COUNTER-POINTS
• Get a camera with enough zoom range for your typical shooting habits.

• Cameras that can accept accessory lenses give you the flexibility to expand your range.
 
     
     
  Shooting Modes
More and more digital cameras are offering a variety of shooting modes beyond the usual suspects like aperture and shutter priority. Specialized Scene modes, fine-tuned for specific situations such as night exposure, landscapes, portraits and many more, give you terrific results automatically when you select the appropriate mode.

The modes are terrific for beginning photographers and family use as they take a lot of the guesswork out of proper exposure, even under tricky conditions. If you’re looking for a camera that does most of the thinking for you, or if speed and accuracy are extremely important, you’ll want to also consider cameras with multi-point metering and autofocus systems.

For more advanced photographers, full-manual and priority exposure modes are very common. Some cameras also give you the option of manual focus and spot metering to take exacting control over the exposure.

Also look for features like manual or selectable preset white balance and adjustable ISO. All cameras can handle these issues automatically, but many models also allow you to make custom settings. Manual overrides are always nice to have when you’re a seasoned photographer, even if you don’t use them often.
 
     
 
COUNTER-POINTS
• For a camera that the whole family can enjoy, ask to see models that offer programmed Scene modes.

• Experienced photographers can take full control with cameras that offer manual exposure and focus, custom white balance and multiple metering options.
 
     
     
  Shutter Lag
It’s the bane of digital photography. Shutter lag is the only unpleasant surprise that most first-time digital shooters encounter. Unlike the immediate response of film cameras, compact consumer digital cameras take a split-second or so to charge the sensor and perform exposure and focus operations before the shutter fires. While this lag time can be mitigated a bit by presetting focus and exposure, it takes some getting used to.

This problem is being addressed by manufacturers, and it likely won’t be long before we’ll see this lag dramatically reduced or eliminated altogether—digital SLR models already have very little or none. And the amount of lag does vary between different cameras, so this is another issue you’ll want to test in person. When comparing cameras at the store, take some shots with them to evaluate their responsiveness. If you typically like to shoot landscapes or still life images, this isn’t going to be a huge problem for you, but sports photographers may find it frustrating at first.
 
     
 
COUNTER-POINTS
• Most digital cameras have a shutter lag; test a variety of models to see which models respond fast enough for you.

• If you like to shoot a lot of action photography, cameras that have a short lag or offer a burst mode for continuous shooting of several frames will help reduce the lag’s effect on your shots.
 
     
     
  Memory Cards
Right now there are five different types of memory cards used in digital cameras—CompactFlash, SmartMedia, Secure Digital (SD), Memory Stick and xD. The type of card a given camera uses is a minor factor in your purchase. The other specifications we’ve discussed are far more important. SD cards record faster than CompactFlash, but will this difference have a big impact on your shooting? In most cases, probably not. And new CompactFlash cards are being announced with much faster write speeds.

One difference between the cards that may indeed factor into your decision is price. If you’re going for a high-resolution camera, you’re going to want a lot of storage. You might go for several smaller-capacity cards or one mammoth card. Whichever way you choose, expect to buy additional memory along with your camera. If you own other electronic devices that use flash memory, you may want to get a camera that uses the same type of memory. This isn’t something that should be a primary factor in your choice, but it might weigh in as a tie-breaker.
 
     
 
COUNTER-POINTS
• Don’t let memory type be a huge factor in your choice between cameras, but you can certainly consider the difference in cost, size and compatibility with other devices.

• Buy additional memory cards with your camera, as the cameras usually come with only a small demo card.
 
     
     


Home | Articles & Reviews | Current Issue | Past Issues
Staff & Contributors | Photo Books | HelpLine | Glossary
Advertiser Info | Links | Shopper | Subscriptions | Back Issues
Account Inquiry | Submissions | Contact Us | About Us | Privacy Statement






PCPHOTO Magazine is a publication of the Werner Publishing Corporation
12121 Wilshire Boulevard, 12th Floor, Los Angeles, CA 90025
Copyright© 2024 Werner Publishing Corp.