PCPhoto
The Critical Adjustment: Levels & BlackWhen the darkest and brightest parts of a photo are adjusted properly, the image will look and print better |
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Despite
the special features of todays digital cameras, many photographers
have found the results from camera to print disappointing. Certainly,
its essential to calibrate your monitor and run tests with your
printer, but thats not enough if the blacks of a photo arent set
correctly. Ive seen poor prints from photographers puzzled by the fact
that they did all the necessary calibration and matched the monitor,
and still had lackluster results. Ive even been surprised to find this
problem from top pros who are now shooting with digital cameras. Master photographer and printer Ansel Adams used to emphasize having a solid black in a photo (he also talked about a pure white, which also is important). According to Adams, it gave a reference for the eye so the viewer could better understand the rest of the tones. Although weve evolved from the wet darkroom to the digital darkroom, the idea remains the same. Black is critical to an image.
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