Hot New D-SLRs

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  • How seven recently introduced models stack up


    With the biennial fall Photokina show in Germany always come many interesting product introductions. This year’s batch included seven new feature-packed digital SLRs. All are scheduled to be on sale in the United States by the time you read this, except the Fujifilm FinePix S5 Pro (which will be available in early 2024) and the Sigma SD14 (no release date as of this writing).                    

    Canon EOS Rebel XTi

    Canon EOS Digital Rebel XTi

    One of the smallest D-SLRs, the Rebel XTi nonetheless “shoots big,” with 10.1-megapixel resolution, a 2.5-inch, 230,000-pixel LCD monitor that can be viewed at angles up to 160 degrees, excellent performance and—a first for a Canon D-SLR—a two-tiered EOS Integrated Cleaning System that keeps the image sensor (and your photographs) dust-free.

    The dust-reduction features are quite effective, with an antistatic charge on the sensor’s low-pass filter that resists dust and the Self Cleaning Sensor Unit that uses ultrasonic vibrations to remove any dust that does adhere, each time you switch the camera on or off. You can also activate the Dust Delete Data feature to map dust particles on the sensor and then automatically remove them in-computer by using software supplied with the camera.

    Autofocusing performance is very good, thanks to essentially the same system used in the EOS 30D, with nine AF points compared to the original XT’s seven and the AF working range improved a stop (down to EV -0.5). The three metering systems (35-zone evaluative, nine-percent partial and center-weighted average) are the same as the XT’s and highly accurate.

    With Canon’s latest DIGIC II image processor, the XTi is fast (0.2-second startup, 3-fps shooting of up to 10 RAW or 27 large JPEGs in a burst) and delivers good image quality, with noise levels and dynamic range similar to the XT’s, despite the 25-percent increase in pixel count on the same-sized sensor. Picture Styles (introduced in the EOS 5D) provide broad control over color, contrast and sharpening.

    Both the built-in pop-up flash unit and the shoe-mount Canon EX-series Speedlites provide Canon’s latest E-TTL II exposure control, with flash sync up to 1⁄200 sec.

    The Digital Rebel XTi is compatible with the full range of more than 60 Canon EF lenses, including the EF-S models designed specifically for smaller-sensor digital SLRs. Available focal lengths range from 12-22mm to 600mm; with the sensor’s 1.6x focal-length factor, these are equivalent to 19mm through 960mm on a 35mm camera. Estimated Street Price: $799.

    Contact: Canon, (800) OK-CANON, www.usa.canon.com.      

                 
    Fujifilm FinePix S5 ProFujifilm FinePix S5 Pro
    Similar in appearance and camera features to the Nikon D200, the FinePix S5 Pro differs largely in its Fujifilm Super CCD SR Pro image sensor and RP Processor Pro imaging engine. It’s fully compatible with current Nikkor AF-D/G lenses and flash units.

    The Super CCD SR Pro sensor, which made the FinePix S3 Pro camera quite popular with wedding, studio and portrait pros, utilizes 6.17 million high-sensitivity S-pixels and 6.17 million low-sensitivity R-pixels to provide a wide dynamic range. The S5’s new RP (Real Photo) Processor Pro works with the latest version of the sensor to further extend dynamic range and provides two cycles of noise reduction for good image quality, even at ISO 3200. Six preset dynamic ranges and three new film simulation modes make it easy to get just the “look” you want.

    The S5’s strong, lightweight magnesium-alloy body incorporates a 2.5-inch, 235,000-pixel LCD monitor with 30-second color and monochrome live-preview function. The 100,000-cycle shutter tops out at 1⁄8000 sec., with flash sync up to 1⁄250 sec. Performance is good, since the 11-point AF and 1005-segment metering systems are essentially the same ones used in the excellent Nikon D200.


    Unlike previous FinePix Pro models, the S5 comes with a rechargeable Li-ion battery. The new camera stores images on CompactFlash cards and Microdrives, but doesn’t have the S3’s second slot for xD-Picture cards. A useful feature for people photographers is Face Detection Technology, which at the touch of a button, detects up to 10 faces in a recorded scene, then lets you quickly zoom in on them to check expressions, focus and exposure on the LCD monitor. Estimated Street Price: TBD.
    Contact: Fujifilm, (800) 800-FUJI, www.fujifilmusa.com.      
                 
         

    Leica Digilux 3Leica Digilux 3
    With the Digilux 3, Leica joins Olympus and Panasonic as manufacturers of Four Thirds System digital SLRs. Actually, Leica has been producing compact digital cameras for quite a while, along with a digital back for its 35mm SLR film cameras, and has even introduced a digital version of its famed M-series rangefinder cameras (the new M8), so it’s not too surprising to see a D-SLR come from the legendary German camera maker.

    Sharing basic specs with Panasonic’s DMC-L1 introduced earlier in 2024, the Digilux 3 looks like a Leica rangefinder model, but is actually a D-SLR with an eye-level porro-mirror TTL viewfinder as well as a 2.5-inch, 207,000-pixel LCD monitor that can display the image live before shooting. While live-view monitors are found on virtually all compact digital cameras, among D-SLRs, only the Digilux 3, Olympus E-330 and Panasonic DMC-L1 provide the feature. It’s a plus to be able to check the image, white balance, exposure comp and even histograms before capture!

    The 7.5-megapixel (7.9-megapixel gross) LiveMOS sensor produces images 3136 pixels wide. You can choose among three aspect ratios: 4:3 (3136 x 2352 pixels), 3:2 (3136 x 2024) and 16:9 (3136 x 1760). Images can be stored on SD, SDHC or MMC media as JPEG or RAW files.

    Like all Four Thirds System D-SLRs, the Digilux 3 will accept all Four Thirds System lenses. These are currently offered by Olympus and Sigma, ranging from a 7-14mm ƒ/4 Olympus super-wide-angle zoom to a Sigma 300-800mm ƒ/5.6 super-telephoto. Leica offers the D Vario-Elmarit 14-50mm ƒ/2.8-3.5 ASPH zoom lens, which incorporates a MEGA Optical Image Stabilizer to reduce camera shake in handheld shooting; both the Digilux 3 and the Panasonic DMC-L1 are sold as kits with this lens. Taking into account the Four Thirds System’s 2x focal-length factor, users of these cameras have access to 35mm-equivalent focal lengths of 14mm to 1600mm. Like the other current Four Thirds System D-SLRs, the Digilux 3 has a built-in anti-dust system that uses ultrasonic vibrations to shake dust off the image sensor each time the camera is switched on. Other Digilux 3 features include convenient analog controls (a shutter-speed dial and focusing, zooming and aperture rings on the lens), superb build and a great warranty. Estimated Street Price: $2,499. Contact: Leica, (800) 222-0118, www.leica-camera.com.
         
               
    Nikon D80Nikon D80
    Nikon has replaced its long-successful 6.1-megapixel D70s with the D80, a 10.2-megapixel D-SLR that’s priced at less than $1,000, which has a lot going for it besides the 67-percent increase in resolution.

    For starters, the D80 is fast: It starts up in just 0.16 of a second and has a shutter-release lag of a mere 80 milliseconds, so you’re not going to miss shots waiting on the camera. It can shoot up to 100 JPEGs or 6 NEF (RAW) images at 3 fps, and the 11-area Multi-CAM 1000 AF system (which functions in light levels as dim as EV -1) can keep up with quick-moving subjects.

    Like the higher-end D200, the D80 features Nikon’s Color Matrix Metering II, but with a 420-segment sensor instead of the D200’s 1005-segment sensor. There’s also center-weighted metering (with 75 percent of the emphasis on a central 6mm, 8mm or 10mm area in the center of the finder, which is your choice via a menu) and 2.5-percent spot metering.

    The Nikon D80’s image-processing engine combines color-independent analog pre-conditioning with precision 12-bit digital image processing for outstanding color and tone reproduction, yet reduces power consumption to provide up to 2,700 shots per charge with the provided Li-ion battery.

    Creative features include D-Lighting (which automatically balances underexposed areas without affecting highlights), Trim (which lets you reduce file sizes in-camera for easy sharing), Image Overlay (which merges a pair of selected RAW images in-camera, useful for sharp/unsharp image soft-focus effects), monochrome settings and film effects. You can also do multiple exposures with the D80. The 2.5-inch, 230,000-pixel LCD monitor can be viewed from angles of up to 170 degrees and provides magnifications up to 25x for easy image checking. Notably smaller and lighter than the D200, the D80 offers many of its features in a much lower-priced package. Estimated Street Price: $999. Contact: Nikon, (800) NIKON-UX, www.nikonusa.com.      

               
    Pentax K10DPentax K10D
    After half a dozen 6.1-megapixel digital SLRs, Pentax has introduced the 10.2-megapixel K10D, still priced at less than $1,000. The new camera is Pentax’s second D-SLR with built-in sensor-shift Shake Reduction and adds a two-pronged Dust Removal system, a new 22-bit A/D converter and PRIME imaging engine, dustproof and weather-resistant construction, and a 100,000-shot shutter.

    Featuring a larger body than previous Pentax D-SLRs (although still compact), the K10D is inherently a bit easier to handhold steadily, but the Shake Reduction is a valuable asset. Equally welcome is the Dust Removal system, which consists of a coating of vapor-deposited fluorine compound to keep dust from sticking to the sensor, and a CCD-shift system that vibrates dust off the sensor.

    The K10D can shoot 3872 x 2592-pixel JPEG images at 3 fps until the SD or SDHC memory card is full and up to nine RAW images at the same rate. A button near the lens mount allows for quick switching to RAW format, and images can also be captured in DNG, Adobe’s “universal” archival digital negative RAW format.

    A host of exposure modes can be easily selected via a dial on top of the camera. The Hyper Manual feature allows you to set the proper exposure (via program AE) instantly at the press of a button, without leaving manual mode, which is handy when a fast-breaking photo op doesn’t leave you time to fumble with shutter-speed and aperture controls.

    Like all Pentax D-SLRs, the K10D will accept all Pentax lenses, providing full functions with the KAF2, KAF and KA versions. Pentax 67 and 645 lenses and old screw-mounts can be used with adapters. Estimated Street Price: $899.

    Contact: Pentax Imaging, (800) 877-0155, www.pentaximaging.com.      
     
               
    Samsung Digimax GX-10Samsung Digimax GX-10
    Similar in form, function and feature set to the Pentax K10D, the new Digimax GX-10 is the third member of Samsung’s new D-SLR family. All are compatible with Pentax K-mount lenses; Samsung also offers a line of Schneider D-Xenon and D-Xenogon lenses that were designed for these cameras (and which also can be used on Pentax D-SLRs).

    Optical Picture Stabilization adjusts the image sensor to counter the effects of handheld camera shake and thus functions with all lenses, not just special stabilized lenses. A dust-resistant coating on the CCD image sensor combines with a sensor-vibration dust-removal feature to keep images spot-free.

    The pentaprism viewfinder shows a generous 95 percent of the actual image area, while the wide-view, 2.5-inch, 210,000-pixel LCD monitor shows 100 percent of the actual image area. An LCD panel on top of the camera displays camera settings for easy reference.

    Like the Pentax K10D, the GX-10 is rugged and water- and dust-resistant. The 100,000-cycle shutter provides speeds up to 1⁄4000 sec., with flash sync up to 1⁄180 sec. You can shoot JPEG images at 3 fps until you fill the SD card or up to nine consecutive RAW images at 3 fps. A RAW button lets you quickly switch to RAW recording mode; you can convert the RAW image to JPEG while viewing it on the LCD monitor if desired. A “My Set Dial” allows users to store and quickly access favorite camera setups. Estimated Street Price: TBA.

    Contact: Samsung, (800) 762-7746, www.samsungcamerausa.com.      
     

               
    Sigma SD14Sigma SD14
    As was the case with Sigma’s previous D-SLRs, the big feature of the new SD14 is the unique Foveon X3 image sensor. Unlike other digital-camera sensors, which record data for just one primary color at each pixel location and calculate the other colors for each pixel site via complex interpolation, the X3 captures data for all three primary colors (red, green and blue) at every pixel location.

    The SD14’s Foveon sensor contains 14 million pixels (three 2652 x 1768 pixel layers), each image having a 2652 x 1768 pixel count. How these images compare to, say, the 3872 x 2592 images of a 10-megapixel conventional image sensor that captures data for just one color at each pixel site, is something you’ll have to judge with your own eyes.

    The SD14 improves on the SD9 and SD10 not only in pixel count (2652 x 1768 x 3 versus 2268 x 1512 x 3), but in LCD monitor size (2.5 inches versus 1.8), maximum shooting rate (3 fps at full resolution versus 1.9 fps) and five AF targets (up from one). It also autofocuses down to EV 0 (a two-stop improvement over the SD10’s EV 2), can shoot JPEG as well as RAW images (previous SD D-SLRs would only shoot RAW) and has improved Photo Pro 3.0 RAW processing software. Like its predecessors, the SD14 has an image-sensor dust protector positioned far enough from the sensor that any dust that does adhere to it will be out of focus and not evident in images. The SD14’s shutter tops out at 1⁄4000 sec. (versus 1⁄6000 sec. for the SD9 and SD10), but has a life cycle of over 100,000 exposures. A new included BP-21 lithium-ion battery provides up to 500 shots per charge. Other features include a bright pentaprism finder with 0.9x magnification (up from 0.77x), a built-in flash unit (ISO 100, guide number 36, in feet) and a PC terminal with sync up to 1⁄180 sec., mirror prelock, easy operation and compatibility with more than 40 Sigma lenses, from an 8mm fisheye to an 800mm super-telephoto (equivalent to 13.8mm through 1380mm on a 35mm camera, due to the sensor’s 1.7x magnification factor). Estimated Street Price: TBA. Contact: Sigma Photo, (800) 896-6858, www.sigma-photo.com.      
                 
                 
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