True ColorsCalibrate your monitor to achieve accurate color in your digital darkroom |
The joy of digital photography can be quickly diffused when the
photograph weve printed doesnt resemble what we saw on our monitors.
Dramatic differences in brightness, contrast and especially color make
using a digital darkroom an exercise in frustration instead of
creativity. Photographers can save themselves the aggravation, as well as loads of paper and ink, by calibrating their monitors. Just because that brand-new monitor looks impressive on your desk doesnt mean that its prepared to be the heart of your photographic workflow. Thankfully, the process of preparing your monitor to accurately display color and tone is both easy and affordable at prices beginning as low as $79. Monitor-calibration systems, such as those from Datacolor ColorVision, Pantone and X-Rite (formerly GretagMacbeth), have been designed to help photographers, whether professional or enthusiast, make sure that their LCDs or CRTs are outputting the best and most accurate image possible. What you want from a monitor is for it to provide a color-neutral workspace that allows you to confidently enhance your images. Since so much of image editing is dependent on a visual assessment of whats on the screen, a calibrated monitor becomes essential.
Once your monitor is calibrated, it doesnt mean that your prints will exactly match whats on your screen. Its important to remember that the image you see on a monitor and whats printed on paper are from completely different mediums. A monitor uses a combination of red, green and blue light to produce an image thats emitted through the monitor, while a photograph is created by the reflection of light on a surface whose color is produced by a combination of cyan, magenta, yellow and black inks.
>Click Here to Download the PDF You may need to install the most recent version of Adobe® Acrobat® Reader to view the PDF file.
|