Dive In

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  • Digital technology makes it possible for anyone to get into underwater photography

    Dive In

    If you’ve ever been snorkeling on a tropical reef, you know how incredibly beautiful and full of life the world is beneath the surface of the ocean. Until recently, if you wanted to take pictures in that environment, you either had to buy extremely expensive and temperamental gear or settle for a single-use film camera with a cheap plastic lens that you bought from the hotel gift shop. For casual vacationers, neither option offered much of a chance to get good pictures. The pro-level setup had potential, but required lots of difficult trial-and-error work, and the disposable camera...well, let’s just say they were right to call it disposable. 

    If you were like me, you viewed underwater photographers as some kind of bizarre combination of photographer and astronaut. The image of people in thick rubber suits, laden with air hoses, fins, a mask and tank, hauling a hulking camera in its oversized housing seems like something out of a Jules Verne story. That was then, this is now. Today, underwater photography is doable by just about anyone with the desire to give it a try. Equipment is easily manageable, you can shoot hundreds of photos without having to go for a new roll of film, and the results will take your breath away.


    Olympus C-7070 Digital technology has been nothing short of miraculous when it comes to underwater photography. Sure, high-end shooters will still lay down hard-earned money for an advanced SLR in a housing, but now relative novices can get their feet wet, so to speak, with sophisticated, high-resolution compact cameras that are fitted with excellent lenses in an inexpensive but sturdy housing. The Olympus C-7070, for example, has a housing available for $199 (www.olympusamerica.com). The outfit is easily transported and makes a powerful travel companion for a tropical vacation. You can come back with images that friends and family will gasp at seeing.

    The undersea environment is a foreign environment, and likewise, photography underwater brings you face to face with a range of new challenges. Thanks to the instant feedback of a digital camera, you can quickly traverse the learning curve, but it’s much easier and faster when you have a good teacher. PADI, the Professional Association of Diving Instructors, has recently modified its underwater photography specialty to a new Digital Underwater Photography course (www.padi.com). If you’re thinking that you don’t really want to learn how to scuba dive just to be able to learn underwater photography, don’t worry; the class is open to snorkelers and scuba divers alike.

    Even if you’re an accomplished photographer on land, we highly recommend the Digital Underwater Photography class. There are a number of tricks and tips you’ll learn to get you making sharp, colorful photographs right from your first dive. And you’ll also learn how to care for your gear properly and avoid any unfortunate accidents such as a flooded housing.

    Nothing makes you a better photographer like practice. In the film era, practice underwater was essentially impossible. Any time you went into the water with a camera, you were confined to 36 frames at most, and reloading wasn’t really practical because you’d have to get to a clean, dry area to disassemble the housing each time you wanted to put in a fresh roll of film. And, of course, you never really knew if you got any decent images until hours later when the film was processed. There’s nothing as frustrating as looking through a stack of prints and seeing that you had a slight underexposure that can’t be fixed.


    Sea & Sea The high capacity of memory cards and the instant feedback of a digital camera have revolutionized anyone’s ability to shoot underwater. On a recent trip to Tahiti, my camera was fitted with a blank memory card in the morning, and that’s the card I used all day. I was using a Nikon D200, which has a 10+ megapixel image sensor, and shooting in high-quality JPEG mode. The camera was housed in a Sea&Sea DX-D200 housing (www.seaandsea.jp). The 4 GB memory card held hundreds of photographs, which freed me to concentrate on shooting instead of having to worry if I’d run out of card space. At the time, it was my first real foray into underwater shooting, so I made plenty of mistakes, but I was able to review each image instantly on the camera’s LCD monitor and make an adjustment. The result was that I was getting keeper photographs on my first day beneath the waves. One of my traveling companions told me I was making progress in those few days that would have taken years if I had been using film.

    The underwater realm is an extraordinary place, and it’s easy to become overwhelmed by the scenery—you can literally miss the forest for the trees. My local dive shop, Eco Dive Center in Los Angeles (www.ecodivecenter.com), has been an important resource for both teaching me to use scuba gear as well as teaching me about the environment. The shop is much more than a place to buy gear. It’s the hub of the underwater community. In addition to taking classes at the shop, I go there to learn about underwater plants and wildlife and to ask questions about what I’ve seen.

    Whether you want to dive into scuba as a hobby or plan to do casual snorkeling on a vacation, the camera is an ideal companion. Digital cameras, advances in low-cost housings and high-capacity memory cards give you the ability to become a good underwater photographer quickly, and you’ll bring back stunning photos from your first treks into the sea. Personally, it’s changed my life. I hope it changes yours!

     

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