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On Display

 
     
 

Share Your Still And Video Images With The Latest Digital Projectors

By Ibarionex R. Perello

 
     
  As photographers, it’s a satisfying moment when we’ve snapped the shutter and captured a fine photograph. It’s an even bigger thrill when we share our vision. With today’s technology, sharing our images has evolved beyond simply displaying slide after slide in a carousel. Now, digital projectors display slideshows complete with music, transitions, titles and special effects. Whether it’s video from the latest vacation or a collection of family portraits, you can create presentations that are both beautiful and engaging.

With technological and manufacturing improvements, projectors have become increasingly affordable. They not only serve as a means for sharing images, but can become the heart of a home entertainment system, bringing more significance to the term “multimedia.”

There are many products from which to choose and numerous features to consider when deciding which type of projector will best suit your needs.
 
     
   
     
  LCD Vs. DLP
There are currently two technologies that comprise the majority of digital projectors—LCD (liquid crystal display) and DLP (Digital Light Processing). Each works on the principle of converting light into individual pixels, but performs the function in a different way. Both technologies have their advantages and disadvantages, and understanding how you intend to use a projector will guide your purchase decision.

LCD projectors create an image when light emitted from the internal light source hits three separate LCD glass panels, consisting of pixels that represent the three primary colors (red, green and blue). The individual pixels are either turned on or off, with “on” pixels passing light to the lens, which projects the image.

LCD projectors are considered the top choice for achieving the best color accuracy and saturation, yet they have a narrow contrast ratio when compared to DLP projectors and are less effective in producing crisp blacks. Recent models have improved the contrast ratio, resulting in better gradation of tones, however. LCDs are more light-efficient, producing greater brightness (ANSI lumens) from the same wattage lamp. At lower resolutions (SVGA), some projectors can show evidence of pixelization, but recent advancements have made this less of an issue, even with very affordable models.

Developed by Texas Instruments, DLP technology is designed around an optical semiconductor known as a Digital Micromirror Device (DMD). The DMD’s pixels consist of tiny individual-adjustable mirrors that direct or deflect light from the light path leading to the lens. The movement of the mirrors combined with the duration during which they reflect light produces varying shades of gray for a total range of 1,024. Color is achieved by a rapidly rotating color wheel that’s positioned between the light source and the DMD. To achieve a specific color, a pixel mirror becomes active only when the appropriate segments of the color wheel are being impacted by light.

On the high end, some DLP systems feature three chips (red, green, blue) for rendering color, eliminating the need for the color wheel and delivering improved color. These models come at a premium price point, however.

DLP projectors offer a significantly higher contrast ratio (e.g., 2,000:1 as compared to 400:1), which improves the projector’s ability to render gradual transitions of tones between black and white. The look produced by such projectors is favored by many for displaying video. Professional DLP projectors are increasingly finding their way into many movie theaters converting to digital projection.

Due to their use of a color wheel to produce color, DLP projectors tend not to provide as high color saturation. Also, the use of the color wheel can result in a “rainbow effect” for some viewers in which they become aware of the separation of colors being produced by the color wheel’s rotation. This problem has been reduced by increasing the rotation speed of the color wheel and increasing the number of color panels. A few still may experience the effect due to the sensitivity of their eyes, however.

If your projector is used primarily for displaying your images and you’re concerned with achieving optimal color accuracy, you may prefer an LCD projector. If you work with video and plan to incorporate the projector into your home entertainment system, a DLP projector might be the better choice.

Brightness
Another consideration is the space in which you expect to use the projector. Will you display your images in a small, dark room or a brightly lit conference room? A projector’s brightness is measured in ANSI lumens. Typically ranging from between 1,000 to 3,000 lumens, this rating determines the quality of the projected image when it’s subject to ambient light, as well as increases the distance that the projector can be from the screen and still produce a strong image.

If you intend to project your images in a small room with little to no illumination, a 1,000-lumen projector easily will produce a good image on a screen less than 100 feet away. If you intend to share your images with a large group under ambient or artificial illumination, a projector with between 1,500 to 3,000 lumens will be preferable.

The replaceable light sources promise hours of use, approximately up to 2,000 hours in many cases. You should be aware that the brightness produced by a projector is reduced as the light source nears the end of its life. If brightness and image quality are important and you intend to use the projector regularly, factor in the cost of replacement light sources with your initial purchase.

Resolution
Resolution reflects the number of pixels used to create the images projected on the screen. There are three native resolutions offered in most of today’s projectors—SVGA (800 x 600), XGA (1024 x 768) and SXGA (1280 x 1024). Even today’s lower-resolution displays will show little evidence of pixelization at a normal viewing distance.

SVGA and XGA monitors make up the great majority of affordable projectors. The lower-priced models often offer SVGA resolution, although XGA models are common and are increasingly dropping in price.

At a native resolution of 1024 x 768, XGA-resolution projectors can render finer details without the telltale signs of pixelization. It allows the projector to be farther away from the wall to produce larger images that still maintain good detail. For photographers who want the ability to project large magnifications of their images and maintain good image quality, this resolution may offer the best compromise of quality, image size and price.

SXGA-resolution projectors render amazing detail, but often are more expensive and heavier. These models are likely to be mounted permanently in an office or a home entertainment system.

Size And Weight
As brightness and image quality have steadily improved, the size of projectors has become smaller and smaller. This trend has been influenced largely by the demand of business users who often travel with projectors, which they use in presentations.

Weights can vary from as light as 2.1 pounds to a hefty 10 pounds or more. Moderate-sized projectors range in weight from between four to six pounds. Sub-four-pound projectors are dominated by DLP projectors, although a few models, including recent releases announced by Epson, offer LCD projectors in this weight category.

If you intend to use the projector for business or simply to tote it along when visiting family and friends, a compact projector is well worth the increased cost. Otherwise, if the projector is intended for a single location or is part of a home-entertainment system, a heavier model will do fine.

Pricing
Once you’ve considered all the features, eventually it comes down to how much you can expect to pay. Prices range anywhere from $999 up to $14,000, but there’s a wide selection of projectors that come at affordable price points where you don’t have to sacrifice quality and features.

The best way to determine which model is best for you is to decide which features you can’t do without, allowing you to narrow the selection. We recommend that you visit your local audiovisual or computer store for some hands-on comparisons.
 
     
     
  Showing Your Images
There’s a wide variety of ways to output your images to a projector whether or not you choose to use a computer. All projectors feature video connectivity in the form of a standard RCA-video connection. Some models also may include S-video or component video ports, which deliver improved video quality.

An increasing number of projectors are making it possible to display a slideshow without a tethered computer. One way is by the inclusion of a built-in card slot that will accept memory cards (CompactFlash, Memory Stick, SD). The stored images then will be projected on the screen automatically. The convenient feature provides a quick and easy way of sharing presentations. Utilizing the projector’s menu options, the images on the card can be read and transmitted on the screen. JPEG rather than RAW files will need to be on the card in order to be properly displayed.

You also can connect your camera directly to the projector using the camera’s output jack, which provides the ability to project both RAW and JPEG files. However, this will be at the low video resolution of 640 x 480.

If you’re using a computer, you may not need a cable to connect your laptop to your computer. Many models now provide wireless connectivity using an 802.11 standard for data transfer. This also gives multiple users access to the projector. The data transfer rate varies, depending on which generation of wireless connectivity you’re using. If you intend to transmit video, it’s highly recommended that your computer and projector utilize the 802.11g standard, as it provides the highest data transfer rate as compared to 802.11a and 802.11b.

A few recent models feature a built-in DVD player, which allows for images that have been burned to disc to be projected.
 
     
  > Digital Projector Chart  
     
 
Contact Information
Canon, (800) OK-CANON, www.usa.canon.com

Epson, (800) GO-EPSON, www.epson.com

Hewlett-Packard, (800) 752-0900, www.hp.com

InFocus, (800) 294-6400, www.infocus.com

Olympus, (888) 553-4448, www.olympusamerica.com

Pixa, (925) 426-9100, www.pixainc.com

ViewSonic, (800) 688-6688, www.viewsonic.com
 
     
     










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