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"Counter"
Intelligence |
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Know What To Ask At The Camera Stores
Counter And Make An Informed Purchase
By Wes Pitts
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With digital photography, theres
always something new. New sensors, controls, lenses and high-tech
features are continually being announced and added to the latest
gear. This is both a blessing and a curse to us as photographers,
who want the best equipment, but have trouble keeping up with
the pace of innovation. Too often, camera salespeople have an
equally difficult time getting their minds around the enormous
wealth of features and specs of the many cameras they offer.
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I was recently browsing a major electronics retailer and,
for fun, decided to quiz the digital camera salesperson about
one of the models on display. I have a mischievous streak
and like to pretend that I know nothing about digital cameras
to see how much misinformation I can attract. The salesperson
on this occasion was a very nice gentleman who intended well,
but was fantastically uninformed about the products he was
selling.
When he resorted to reading the stores display and reciting
the cameras features to me, which I easily could have
read for myself, I knew that I wasnt going to get the
insight I was after. Asked what other models might compare
to the 5-megapixel camera I was looking at, he informed
me that theyre all pretty much the same.
And, indeed, he was right! Theyre all pretty much the
same, if by the same you mean that theyre
all cameras and come in an attractive cardboard box. Unfortunately,
this is how many retailers look at cameras, as if theyre
merely packaged goods with no real difference between themjust
like bars of soap.
Traditional camera retailers will typically do a much better
job of understanding the equipment than a big electronics
chain, but youll still want to understand the basics
to make the best purchase for your money. Even the best camera
stores may have an incentive to sell you one product over
another, which puts the sale in their best interest and not
necessarily in yours. Knowing what you want before you head
to the store, at least in terms of technology and features,
will make your buying experience far more successful, with
fewer regrets down the road.
Size
How big (or small) should your
camera be? Heres an easy one to figure out on
your own, but no less deserving of serious consideration.
If youre buying a camera primarily for vacation or special
occasion photography, a small camera that you can drop in
your pocket is ideal.
There are a number of very tiny cameras available that can
be easily stowed in a pocket, yet still offer a decent set
of controls and adequate resolution for most purposes. Bear
in mind that youll pay a premium for the ultra-compact
models, and that there will be some sacrifice in terms of
zoom range.
Even those digital cameras that
arent considered ultra-compact are still relatively
small. Most digital cameras today will fit nicely in
a fanny pack or a coat pocket. If you dont need the
smallest possible camera, youll have the most options
in terms of features, lenses and resolution.
On the big end of the spectrum are digital SLRsboth
those with fixed lenses and those that allow the use of an
interchangeable-lens system. While bulky and not best suited
for casual photography, these cameras deliver top resolution
and high-performance features. They also tend to have bigger
control interfaces, so if you have large hands and find yourself
fumbling with the controls of small cameras, one of these
models might be better for you.
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COUNTER-POINTS
If you want a small camera, ask to see a few of
the smallest and compare their features and prices.
Handle a variety of cameras of various sizes to
find one thats comfortable for you to use. |
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Resolution
If digital camera marketing was a Hollywood blockbuster, resolution
would be the fussy star whos perhaps a bit overrated,
but draws big crowds and so gets top billing. Much
ado is made about resolution, and to be sure, its an important
feature, but shouldnt be over-weighted in your decision.
Let me explain.
For the first few years of digital cameras, resolution was the
determining factor of image quality. Resolution was so low that
it didnt matter very much if the cameras lens was
high-quality glass or cheap plastic; if the cameras color
processing was right on or slightly off; or if the signal-to-noise
ratio of the sensor was ideal.
Now that digital cameras are sporting multi-megapixel resolution,
those other factors that affect image quality are gaining more
importance. Today, you want a digital camera that not only has
big resolution, but high-quality optics, noise-reduction technologies,
adjustable ISOs and white-balance controls as well to ensure
that you get the best image quality possible. |
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COUNTER-POINTS
Get a camera with enough resolution for the print
sizes youll want to make.
Resolution is important, but so are other camera
featuresdont buy something based on resolution
alone. |
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The
LCD
Whats the biggest plus of digital photography? Id
say its the LCD and all of its attending benefits. Reviewing
your photos as you shoot is arguably the greatest thing to happen
for photographers since autofocus. However, not
all LCDs are created equal. Some are big while others
are relatively small. Some are stationary and others swivel,
rotate and flip to give you a clear view even when the camera
is pointed up, down or sideways. Some are easy to view in bright
sunlight, and others require you to be in an indoor environment
or in shade to view clearly. One of the most notable breakthroughs
in LCDs has been accomplished by Kyocera with their L3v and
L4v cameras. Theyve addressed the two common complaints
about LCDs (size and viewing in bright sun) with the DayFine
2.5-inch screen, virtually the big screen of digital
camera LCDs. The advantages of a large screen for composing
and viewing pictures are obvious, but menus are more readable
as well.
Its best to compare LCDs in person, not just from specs.
View them in the store and, if possible, outside as well to
see how easy they are to view in varying conditions. Checking
out the LCD in person also gives you the opportunity to evaluate
the readability of the menus.
The swiveling, rotating and flipping
LCD designs are really terrific and a feature youll get
used to quickly. Even if your typical style of photography
doesnt require acrobatics and extreme postures, youll
still find the ability to reposition the LCD quite valuable,
as it also helps to alleviate the difficulties you may encounter
viewing the LCD outdoors by changing the angle to reduce glare
on the screen surface. |
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COUNTER-POINTS
When it comes to LCDs, bigger is better. Ask to
see a variety of models and compare.
Flip-out LCDs greatly enhance your ability to see
the image clearly in a variety of shooting situations. |
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The
Lens
Before light reaches your high-res image sensor, it passes through
and is focused by the lens. Obvious, right? Few
parts of the camera are as important as the lens in determining
not only image quality, but your experience using the camera
as well.
The first thing to consider is zoom range. Excluding
interchangeable-lens digital SLRs, most digital cameras have
a 3x optical zoom. This is plenty of range for most everyday
photo opportunities. However, because you cant change
lenses, you may find yourself limited by this range in certain
situations when you cant get as close to your subject
as youd like. A few models offer bigger zoom rangesup
to 10x. While you might not use the full range often, its
nice to have that extra telephoto performance when you need
it.
Choosing a camera with a big zoom
range does limit your options, as there are only a handful
of such models on the market. If you find that you shoot a lot
of telephoto images, though, youll definitely want to
look at these models.
If you opt for a camera with a smaller range zoom, you may be
able to use accessory lenses to increase that range. Not all
cameras support accessory lenses, so be sure to find out if
the models youre considering do.
If the camera has the ability to
accept a photographic filter, there are probably accessory lenses
that will work with it, even if the manufacturer doesnt
make accessory lenses designed specifically for it. For
the best-quality results, youll probably want to stick
with accessory lenses made for the camera, when possible.
While were on the subject of lens quality, lets
talk a little about the cameras built-in lens. Most digital
cameras offer excellent-quality lenses. Traditional camera manufacturers
that have made lenses for decades can be depended on to put
quality glass in their cameras. Consumer electronics brands
that have entered the digital camera market often use glass
made by respected lens manufacturers in an effort to assure
you that youre not compromising with their products. Overall,
most digital camera lenses are indeed very good.
Trying to compare lens quality in
digital cameras is tough. Certainly, a brands reputation
for quality optics was earned by doing something right, and
such a brand isnt likely to jeopardize that reputation
by putting shoddy glass in its cameras.
You also can look for lenses that sport such technical specs
as aspherical, LD (low dispersion) or
ED (extra-low dispersion) lens elements. Without
going into detail here, these are lens technologies that greatly
reduce image aberrations and improve color fidelity. Theyre
generally marks of quality optics. |
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COUNTER-POINTS
Get a camera with enough zoom range for your typical
shooting habits.
Cameras that can accept accessory lenses give you
the flexibility to expand your range. |
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Shooting
Modes
More and more digital cameras are
offering a variety of shooting modes beyond the usual suspects
like aperture and shutter priority. Specialized Scene
modes, fine-tuned for specific situations such as night exposure,
landscapes, portraits and many more, give you terrific results
automatically when you select the appropriate mode.
The modes are terrific for beginning photographers and family
use as they take a lot of the guesswork out of proper exposure,
even under tricky conditions. If youre looking for a camera
that does most of the thinking for you, or if speed and accuracy
are extremely important, youll want to also consider cameras
with multi-point metering and autofocus systems.
For more advanced photographers,
full-manual and priority exposure modes are very common.
Some cameras also give you the option of manual focus and spot
metering to take exacting control over the exposure.
Also look for features like manual or selectable preset white
balance and adjustable ISO. All cameras can handle these issues
automatically, but many models also allow you to make custom
settings. Manual overrides are always nice to have when youre
a seasoned photographer, even if you dont use them often.
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COUNTER-POINTS
For a camera that the whole family can enjoy, ask
to see models that offer programmed Scene modes.
Experienced photographers can take full control
with cameras that offer manual exposure and focus, custom
white balance and multiple metering options. |
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Shutter
Lag
Its the bane of digital photography. Shutter
lag is the only unpleasant surprise that most first-time digital
shooters encounter. Unlike the immediate response of
film cameras, compact consumer digital cameras take a split-second
or so to charge the sensor and perform exposure and focus operations
before the shutter fires. While this lag time can be mitigated
a bit by presetting focus and exposure, it takes some getting
used to.
This problem is being addressed by manufacturers, and it likely
wont be long before well see this lag dramatically
reduced or eliminated altogetherdigital SLR models already
have very little or none. And the
amount of lag does vary between different cameras, so this is
another issue youll want to test in person. When
comparing cameras at the store, take some shots with them to
evaluate their responsiveness. If you typically like to shoot
landscapes or still life images, this isnt going to be
a huge problem for you, but sports photographers may find it
frustrating at first. |
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COUNTER-POINTS
Most digital cameras have a shutter lag; test a
variety of models to see which models respond fast enough
for you.
If you like to shoot a lot of action photography,
cameras that have a short lag or offer a burst mode for
continuous shooting of several frames will help reduce
the lags effect on your shots. |
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Memory
Cards
Right now there are five different
types of memory cards used in digital camerasCompactFlash,
SmartMedia, Secure Digital (SD), Memory Stick and xD.
The type of card a given camera uses is a minor factor in your
purchase. The other specifications weve discussed are
far more important. SD cards record faster than CompactFlash,
but will this difference have a big impact on your shooting?
In most cases, probably not. And new CompactFlash cards are
being announced with much faster write speeds.
One difference between the cards that may indeed factor into
your decision is price. If youre going for a high-resolution
camera, youre going to want a lot of storage. You might
go for several smaller-capacity cards or one mammoth card. Whichever
way you choose, expect to buy additional memory along with your
camera. If you own other electronic devices that use
flash memory, you may want to get a camera that uses the same
type of memory. This isnt something that should be a primary
factor in your choice, but it might weigh in as a tie-breaker.
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COUNTER-POINTS
Dont let memory type be a huge factor in
your choice between cameras, but you can certainly consider
the difference in cost, size and compatibility with other
devices.
Buy additional memory cards with your camera, as
the cameras usually come with only a small demo card. |
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