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Black & White With A Digital Camera

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  • Concentrate on tonality for the best monochrome results

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    Predicting Filter Effects

    When you place a colored filter over the camera lens or use one of a digital camera’s colored filter effects, objects of the filter’s color and similar colors will reproduce lighter and objects of the filter’s complementary color darker than in a photo made without a filter. The trick is determining which colors are similar to the filter’s color and which are complementary. This “color disk” will help.

    Colors on the same half of the disk as the filter’s color will appear lighter in the photo if you shoot through that filter and colors on the opposite half will appear darker than they would in an unfiltered shot. The farther along the rim of the disk the colors are from the filter’s color, the lesser they’ll be lightened or darkened; the closer they are to the filter’s color, the greater the effect of the filter on them. For example, when shot through a red filter, red objects will be lightened most, yellow and magenta objects will be lightened somewhat, blue and green objects will be darkened somewhat, and cyan objects will be darkened the most.

    Because real-world colors aren’t pure, results will vary somewhat from scene to scene, but this diagram will give you an idea of what to expect when you use a colored filter (or a digital camera’s built-in color filter effect). After you shoot a black-and-white digital image using a colored filter, display the image on the LCD monitor and zoom in to see the actual effects. 



    Most digital cameras that have a black-and-white mode offer a great solution to these problems: built-in digital colored filter effects. Just select the camera’s yellow, orange, red or green filter, and you’ll get pretty much the same effect the real filter would produce attached to the lens, but without any of the hassles. But I’d recommend bracketing exposures the first few times you use your camera’s filter effects to make sure you get an image you like.



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