The Color Of Light Master white balance for greater quality and control
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By Ibarionex R. Perello, Photography by Ibarionex R. Perello
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White balance is one of the new features we’ve had to learn to make the
most of in digital photography. It’s often seen as yet another
technical hurdle photographers have to leap over in order to get a good
image. Learn how to set it “right,” and we’ll have one less thing to
think about while taking pictures.
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By Mike Stensvold
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When you buy a compact digital camera, you buy a camera. But when you
buy a digital SLR, you buy into a whole camera system. That SLR body
accepts a wide range of lenses, flash units, viewfinder attachments,
optional power sources and other accessories, all of which add
tremendous versatility. So to get the most out of your purchase, you
should look at the whole system, not just a particular camera model,
when deciding which D-SLR to purchase.
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Studio-Quality Lighting Made Easy Discover creative lighting effects for any budget
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By Jon Canfield, Photography by Jon Canfield
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At
some point in time, many photographers decide to try their hand at
portrait or studio work. After disappointing results with their
camera’s built-in flash, they begin to look into studio lighting
solutions.
Although the proper equipment makes it easier to get
professional-quality results, you don’t need to spend thousands of
dollars. In fact, when you’re just starting out, simpler is better.
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Destination Anywhere From national parks to foreign lands, travel means new places and new sights for your camera. Here are tips on bringing home your best travel shots ever.
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By Rob Sheppard and Sergio Wamon
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Photographers love to travel and bring back images from the places they
visit. This is part of the heritage of traditional photography. We love
to see what our world looks like, even if we can’t visit every location
ourselves.
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10 Top Digital Camera Shooting Tips Shoot it right from the start and get better images for use in the computer
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By Rob Sheppard, Photography by Rob Sheppard
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While everyone knows Photoshop is a marvelous imaging tool for
photographers, in some minds it has been transformed into a magic wand,
with powers beyond imagination—you don’t have to shoot the image
perfectly initially because you can always fix it in the computer. As
good as the digital darkroom is, the old acronym about computers is
still important to remember: GIGO (garbage in, garbage out). Paying
attention to the craft of taking the picture is also about using
Photoshop and other image-processing software, because how you first
capture your subject tremendously affects what you can do in the
computer and how you do it.
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